Saturday, September 24, 2011

Yamaha P95 Digital Piano BUNDLE including Bench, Stand, Triple Pedal Board, Headphones, Fastrack Book and Dust Cover

!±8± Yamaha P95 Digital Piano BUNDLE including Bench, Stand, Triple Pedal Board, Headphones, Fastrack Book and Dust Cover


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The P95 gives musicians the dynamic, high-quality sound and natural piano touch response they expect from Yamaha, along with a high-quality built-in speaker system. All this packed into a slim, exceptionally affordable instrument that's always ready to play when you are. No compromises, just Yamaha quality.Graded Hammer Standard (GHS) KeyboardJust as on a traditional acoustic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard's sensitivity can even be adjusted to match your playing style. This Graded Hammer technology also enables the instrument to provide authentic touch in a lightweight instrument. The matte finish of the black keys enhances the keyboard's luxurious appearance.Compact, Stylish DesignThe attractive, slim, lightweight design of the instrument suits virtually any interior décor, and occupies less space than most coffee tables. No piano movers required.Advanced Wave Memory (AWM) Dynamic Stereo SamplingThe AWM (Advanced Wave Memory) is a sampling system which creates the realism of an acoustic instrument by using digital technology to record the instrument sound and applying high-quality digital filter technology to the recorded audio samples. The waveform of the sound created by playing the key of an acoustic piano differs depending on the playing strength from pianissimo to fortissimo. The AWM Dynamic Stereo Sampling can produce such dynamic nuances by recording samples of various playing strengths. The greater the number of samples used, the higher the expression.Essential SoundsThis instrument features an array of commonly used sounds such as grand pianos, electric pianos, organs, harpsichords, vibraphones, strings and new choir and Jazz organ. Each of these sounds has been recorded and recreated with Yamaha's unrivaled attention to detail.

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Monday, September 19, 2011

Use vibrato saxophone

!±8± Use vibrato saxophone

A good vibrato adds a natural beauty to the sound of the saxophone.

The saxophone is a Jaw vibrato. The basic idea is that you say "YA YA YA" over and over again. From the movement of the jaw down and back, in actual field of play and then is flat again. This is unfortunate and downs, what we call vibrato.

There are several things that can go wrong with vibrato. It may be too fast or too slow. The vibrato rate should be between 76 and90 for the knockout on the metronome.

The second problem is too wide or too narrow. You should be able to hear most types of music for a good example for the speed of the vibrato. You will notice that vibrato tends to me a little 'faster in classic style, and a bit' slower in many different styles.

Now select a note in the middle of the instrument and the metronome around 60 one-sixteenth scale test as a guide to the speed of the vibrato. Confirm with "YESYa Ya, "as the syllable. Ascend up the YA YA YA scale in whole notes to 16 times a ticket. You will feel that the vibrato get something else, like better.

Usually it is a little 'thinner than you are, and continue as you get to the bottom. Be sure to clearly hear the note in harmony as you play the vibrato.

Then speed up the metronome to about 70, and try again. Fighting for a tone even vibrato. Now, push the speed up to about 80, but instead use triplets16, Instructions on the base. It 'important to remember that the number of pulses in the vibrato is not linked to the length of the note! So when I see a whole note, I can not think that I can play 16 pulses with my jaw! If the song is slow, it becomes much more if the song is fast, it will be much less.

The rate of vibrato is independent of the speed of the song, the rate is always around 76-90 metronome.

Note that the vibrato is not connected toLanguage. You can use vibrato with or without tonguing tonguing (reach). Normally you want vibrato on the notes long enough to hear the vibrato can be done. The only way to have a beautiful vibrato, is the practice all the time. When you start to learn, you should on anything that plays to use. If you do this consistently, you have a nice vibrato in about three weeks. I like to recommend to my students that simply slow down songs to play to develop the vibrato. Generallyeverything you think without worrying about notes or rhythms can play.


Use vibrato saxophone

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